Elton John’s Farewell Tour: Can you name all 9 of his No. 1 (U.S.) hits?

Earlier this week, Elton John announced he would embark on his final global tour, a farewell to performing. The 70-year-old wants to focus more on his family, the “next important chapter in his life.”

He’s calling it the “Farewell Yellow Brick Road” tour. It kicks off Sept. 8, 2018, and will run through 2021 — so there will likely be opportunities to see Sir Elton more than once.

The music legend is as big a 70s icon as he is an 80s icon. He even had smash hits in the 90s. But can you identify all his No. 1 U.S. singles? For me, there were a few surprises.

For example: “Rocket Man” didn’t go No. 1. It peaked at No. 6 on the U.S. charts. “Goodbye Yellow Brick Road” didn’t go No. 1 either. And neither did “Don’t Let The Sun Go Down On Me” or “Someone Saved My Life Tonight,” although that’s not completely true for the former as you’ll soon see.

Elton’s first American chart-topper came in 1972 with the smash “Crocodile Rock,” an ode to all the songs of the 1960s he loved.

He didn’t have to wait too long for his next American Top 40 chart-topper. Just two years later, he hit No. 1 with “Bennie and the Jets.” Goodness, what a fantastic song.

Elton’s next two No. 1s came back-to-back: “Lucy in the Sky with Diamonds” (surprised!?) and “Philadelphia Freedom.”

His next No. 1 was the most surprising to me — the song “Island Girl” from 1975. Sure, Elton was at the height of his chart-topping powers. Just didn’t expect this to be one of his chart-toppers.

Elton John’s sixth No. 1 was the smash duet with Kiki Dee, “Don’t Go Breaking My Heart.”

It was ten years before Elton hit the top of the charts again. This time, it was part of a quartet featuring Elton, Gladys Knight, Stevie Wonder and Dionne Warwick, “That’s What Friends Are For.” It turned out to be the biggest hit of 1986, and it was the rare tune featuring Elton not written by Elton and Bernie Taupin.

Five years later, Elton was back atop the American charts with a remake of his 1970s smash, “Don’t Let The Sun Go Down On Me,” this time a duet between Elton and George Michael. And I’ll freely admit I’ve always preferred this version.

And then Elton’s final and perhaps most famous No. 1 came after the death of Lady Diana in 1997. It was his remake of his own “Candle In The Wind.” Originally written about Marilyn Monroe, born Norma Jean Baker, (hence the “Goodbye Norma Jean” line) Elton altered his opening line to be “Goodbye England’s Rose.”

And that’s it. Do you plan to go see Elton on his farewell tour?

Photo credit:
The header image came from Wikimedia Commons. Link here:





We all knew “Pride” by U2 was about MLK Jr., but this Queen hit was, too

Please forgive the tardiness of this post, but I’m dealing with what I think is the flu. It really kicked my tail Monday night, and I’m only getting up and around Tuesday night. Unfortunately, I’m starting to go downhill again, so this post might not be finished until Wednesday or Thursday.

Monday was the day we honor Dr. Martin Luther King Jr. Relative to music, there are lots of speculations on what his favorite song was. However, I had always heard that it was “I Wish I Knew How It Would Feel To Be Free” from the late, great Dr. Billy Taylor. I grew up with Taylor’s music from my dad’s jazz collection. His work was always among my favorite:

Alas, this is a blog about 80s music, and when it comes to MLK, there’s one song that sticks out: “Pride (In The Name Of Love)” by U2. Bono was inspired by a book called “Let The Trumpet Sound: A Life Of Martin Luther King Jr.,” and that track became the band’s big breakout chart hit in America, peaking at No. 33.

In my opinion, it’s U2’s best song despite the one lyrical mistake, referring to King’s assassination. It wasn’t “Early morning, April 4.” It was early evening.

Anyway, as I was researching the background of “Pride,” I learned that another 80s rock song is supposedly about Dr. King as well, and it’s another favorite of mine. I had no idea before today that Queen’s “One Vision” is about King.

A quick bit of chartology on the song: It was included on the album “A Kind Of Magic,” but many folks knew it as the opening number from the “Iron Eagle” soundtrack. The song didn’t get past No. 61 on the Billboard Hot 100, and it might be best known for Freddie’s attempt at vocal randomness at the end of the track when he sang, “Fried chicken.”

Some questions may never be answered, but all accounts I’ve seen suggest that Mercury was just having fun during the recording, and they kept it. Roger Taylor has confirmed the tie between the song and Dr. King on video, specifically a documentary called “Queen: Days Of Our Lives.”

Man, this video reminds me how awesome Freddie Mercury was.

Case Keenum, Stefon Diggs & Mike + The Mechanics: “All I Need Is A Miracle”

Sometimes the universe just gives you a blog topic, a topic that coincides with a real-life (sports) miracle.

Minnesota beat New Orleans 29-24 this afternoon when Case Keenum found Stefon Diggs for an unlikely long touchdown pass to win the game when the Vikings were just trying to get into field goal range for Kai Forbath. It was surreal. The players rushed the field, followed by media, all the while a ref was watching video to make sure it all really happened.

It did.

They had to bring out players from both teams to kick an obligatory extra point, which of course they did not. Case Keenum took a knee, the only knee taken in the NFL this season that hasn’t caused controversy, I might add. Minnesota is headed to Philadelphia to duke it out with the Eagles for the chance to lose to Tom Brady.

Kidding, Jacksonville. You got this.

The 80s song that comes to mind today is “All I Need Is A Miracle” by Mike + The Mechanics, a Top 5 hit from 1986 for this Genesis spinoff band. I think of miracles because of how the game ended, and I think of Mike because Minnesota’s head coach is Mike Zimmer. The Mike in this case is Mike Rutherford, one of the founding members of Genesis.

A quick bit of trivia: Mike + The Mechanics had as many No. 1 hits as Genesis: one. Genesis had “Invisible Touch,” and Mike + The Mechanics had “The Living Years,” featuring the great Paul Carrack on lead vocals in 1988.

In honor of the Vikings today, here’s Mike + The Mechanics and “All I Need Is A Miracle.”

1980s Chart Rewind: July 25, 1987, with bonus story from Casey Kasem about Prince

The nerdity that is my obsession with 1980s music and the charts that measured its songs, singers and bands knows only faint bounds. The later we went into the decade, the less I liked, and 1987 was near the end of my run as a devoted listener of “American Top 40” with Casey Kasem.

By devoted, I mean that I listened every week as it came on with no exceptions. I listened by myself with pen and paper, like somebody with a deeper issue. I even put together my own Top 40 rankings each week and kept them on a chart, and there are many people from my young past who can attest to this. I’m sure I’ll tell these stories a billion times as I develop this blog, but I wanted to start this week’s post with a story — a story you’ve heard before about the late, great Prince Rogers Nelson.

It’s a different take on the story you’ve heard came from Charlie Murphy on The Chappelle Show.

However, the version I’m about to tell you came from Casey Kasem on the AT40 (American Top 40) countdown the week of July 25, 1987.

He was introducing Whitney Houston’s hit, “I Wanna Dance With Somebody,” and he spoke of its producer, Narada Michael Walden. Among many albums, he produced most of Whitney’s biggest LPs. Walden was working on “Whitney,” when a messenger stopped by to deliver a note.

Meet me at the basketball court.

Of course, it was Prince — and he was joined by Morris Day from The Time. They wanted to play “21,” the game where every person plays for themselves, and whoever gets to 21 first wins. Well, Prince won 21-16-13 — and he was wearing six-inch heels!

And that’s a story told on American Top 40 nearly 17 years before Charlie Murphy told it on The Chappelle Show.

The rest of this blog post is a recap of that week’s countdown, complete with notes from me and embedded videos. Stay a few minutes, and wander back in time, listening to songs you haven’t thought about in ages. If you enjoy this post and have a week from the 1980s you’d like me to feature, mention it in a comment below.

American Top 40: July 25, 1987

40. Dionne Warwick & Jeffrey Osborne – Love Power (Debut)

Did you know that on this week in 1987, the final Top 40 hits for Dionne Warwick and Jeffrey Osborne debuted? Of course, it’s possible that they could have another hit, but I’m kind of doubting it in a world filled with bubble gum pop and rap. Alas, this song would almost hit the Top 10, peaking at No. 12. It was written by the legendary Burt Bacharach and Carole Bayer Sager.


39. Outfield – Since You’ve Been Gone (Debut)


38. Cutting Crew – One For The Mockingbird (40-38)

The follow up to their No. 1 smash, “I Just Died In Your Arms,” this was always my preferred tune from the Crew. Side note: We’ve got two crews in this week’s countdown, a Crew and a Crue.


37. Smokey Robinson – Just To See Her (27-37)


36. Wang Chung – Hypnotize Me (Debut)

This is one of my favorite songs of the 80s, from the movie Innerspace starring Dennis Quaid, Meg Ryan and Martin Short. I never saw it, but I own the album “Mosaic,” and I revere this song. Seriously. I will fight you over Wang Chung: one of the underrated groups of the 80s.


35. Living In A Box – Living In A Box (Debut)

Ridiculous lyrics, but this one is a seriously silly little song but some definite pre-Astley blue-eyed soul here, no?


34. Dan Hill & Vonda Shepard – Can’t We Try (Debut)

Canadian Dan Hill was 33 when this song hit it big, 10 years after he reached No. 3 with “Sometimes When We Touch.” This tune was Dan’s second and final appearance in the Top 40, and it was the first and only one for Shepard, who would gain fame 10 years after through the show Ally McBeal.


This entire album was terrific (photo of my cassette as proof of ownership) with tunes liked “Conscience” and “Carmelia,” and especially “Every Boys Fantasy,” this week’s first ‘I Love 80s Music’ extra!

And now for “Can’t We Try,” which debuted at 34.


33. Atlantic Starr – Always (32-33)


32. Starship – It’s Not Over (‘Til It’s Over) (34-32)

Did you know that this was Starship’s final Top 10 hit and their second-to-last Top 40 tune? I never liked it, but the sound was quintessential ’87.


31. Lisa Lisa & Cult Jam – Head To Toe (18-31)

Lisa Velez first appeared on the Top 40 two years before this smash with the tune, “I Wonder If I Take You Home,” and it was fantastic. For my money, it was the best thing she ever released. However, this track was the first of two consecutive No. 1s for the New York native.


30. Los Lobos – La Bamba (36-30)


29. Bryan Adams – Heart’s On Fire (30-29)

I’ll dig a little deep for this one, but listen to Tom Petty’s “Change Of Heart” and then listen to this tune. It’s not a copy, but they’re definitely compositional cousins.


28. Bruce Hornsby & The Range – Every Little Kiss (16-28)

From one of the best albums of the entire decade, Bruce Hornsby’s third hit has probably been his most covered. A quick did you know? Hornsby played keys for Sheena Easton before breaking it big on his own.


27. Fleetwood Mac – Seven Wonders (31-27)


26. Madonna – Who’s That Girl (33-26)


25. Al Jarreau – Moonlighting (23-25)

It makes me a cringe a little to note that I’m as old as the late, great Al Jarreau was when he hit it big with the TV theme to “Moonlighting.” Also, this was Jarreau’s third and final Top 40 hit.


24. Steve Winwood – Back In The High Life Again (25-24)


23. Whispers – Rock Steady (26-23)


22. Richard Marx – Don’t Mean Nothing (28-22)

This was the first of Marx’s 14 Top 40 hits.


21. Debbie Gibson – Only In My Dreams (24-21)

And this was the first of Gibson’s 9 Top 40 hits.


20. Surface – Happy (Even)


19. Kenny G – Songbird (11-19)

Yes. Kenny G made the Top 40. Six times on his own and several more times as a featured artist with others.


18. Klymaxx – I’d Still Say Yes (19-18)

If you’ll allow me to be a big ol’ softie, I’ve always loved this song, the last of Klymaxx’s three Top 40 hits.


17. Janet Jackson – The Pleasure Principle (Even)


16. Robbie Nevil – Wot’s It To Ya (21-16)

Robbie Nevil is a writer’s writer, a craftsman of the pop hook. Best known for the smash,”C’est La Vie,” the American native reminds me a ton of Brit Nik Kershaw. “Wot’s It To Ya” was one of two Top 10 hits for Nevil.


15. Suzanne Vega – Luka (22-15)

The whole “second floor” joke will never fade away from this song, which eventually reached No. 3. However, I’d submit that it was a terrific piece of late 80s songwriting, in the spirit of Tracy Chapman’s “Fast Car.”


14. Jets – Cross My Broken Heart (15-14)


13. Nylons – Kiss Him Goodbye (14-13)

I owned this 45, and at some point, I was probably convinced that they sang “Where In The World Is Carmen San Diego?” They weren’t. That was Rockapella.

And this was Toronto’s own Nylons.


12. Motley Crue – Girls, Girls, Girls (13-12)

The other crew in this countdown is a Crue, and this track likely holds the record for being introduced most times with the words, “And now welcome to the stage …”


11. Pseudo Echo – Funkytown (6-11)

I’m not sure why anybody thought “Funkytown” needed to be remade only seven years after Lipps Inc. took it all the way to the top, but Pseudo Echo rode that wave all the way to a peak position of No. 6.


10. Exposé – Point Of No Return (5-10)


9. The System – Don’t Disturb This Groove (4-9)

This was quite simply one of the best tracks of the entire decade, and it was the duo’s only Top 40 hit.


8. T’Pau – Heart And Soul (12-8)


7. Crowded House – Something So Strong (8-7)

This was the second and final hit for Crowded House, but it was really the swan song in the States for Neil Finn, the brilliant lead singer of Crowded House. Before CH, he was the face and voice of a group called Split Enz, which peaked at No. 50 with a fabulous track called “I Got You.” Learn something new every day, right?

Another I Love 80s Music extra!

And now for “Something So Strong.”


6. Gloria Estefan – Rhythm Is Gonna Get You (10-6)


5. George Michael – I Want Your Sex (9-5)

The title to this track was so racy that Casey Kasem wouldn’t even say it in this week’s episode. He just said, “And here’s George Michael.” Seriously. Not sure how Casey would navigate 2018.


4. Whitney Houston – I Wanna Dance With Somebody (Who Loves Me) (3-4)


3. U2 – I Still Haven’t Found What I’m Looking For (7-3)

This was the third Top 40 hit for U2, and it was the band’s second consecutive chart-topper from the album “The Joshua Tree.” U2 has had 16 Top 40 hits in the United States thus far.


2. Bob Seger – Shakedown (Even)

Would you believe that “Shakedown” from Beverly Hills Cop II was Seger’s biggest charting hit? It was his only No. 1.


1. Heart – Alone (Even)

This Billy Steinberg, Tom Kelly composition turned out to be Heart’s biggest hit, spending three weeks at No. 1. However, three years before Ann and Nancy Wilson took it to the top, John Stamos sang it on a sitcom. With odd foreign subtitles and all, from a CBS sitcom called “Dreams” that lasted five episodes, here’s Stamos and Valerie Stevenson singing, “Alone.”

Your final I Love 80s Music extra! For this week anyway:

And here’s Heart’s vastly superior version! OK, that’s it for this week. Check me out next week for another deep dive into a Top 40 pop chart from the wonderful world of the 1980s.


Remembering Prince, 1 year after his death with my 5 favorite tracks

All the hubbub over Prince’s health last year made me think something was wrong. I worked in news for the better part of two decades in some capacity, and I had learned, especially with the advent of Twitter, who to listen to and who not to listen to as it pertained to celebrities. In this case, where there was smoke there was fire.

And less than a week later, Prince was dead.

That was a year ago, about the time I had decided to start this blog: ilove80smusic.com. However, by all accounts, Prince was the inspiration for it — not so much that his death was the inspiration for a new blog but that a new generation of listeners didn’t know jack about the Purple One’s music.

Largely that was Prince’s fault as he didn’t do the Internet.

However, much of the same could be said about 80s music in general. Of course, as a middle-aged dude, I could fall into the trap of Good Ol’ Days syndrome, suggesting that everything was better back in the 1980s than it is today, and with regard to music, I believe it to be true. 100 percent true.

On the other hand, my Boomer friends felt the same way about 1960s music.

And every generation before thinks theirs was the best.

Alas, there’s a real nostalgia going on about the 1980s, and musically I can guide you. And as it pertains to Prince, there were few people who listened to more of his music than I did. I owned every cassette back in the day and, now, most every CD. Heck, the first album I bought was “1999,” and I played the heck out of it, making sure my folks couldn’t hear or understand many of his lyrics.

Nowadays, Prince’s lyrics are subtle and tame compared to most.

Anyhoo, as we mark the one-year anniversary of Prince’s passing, I wanted to count down my five favorite Prince songs with a shout out to a couple of other tracks. Hope you enjoy, and I’d love it if you’d start following this blog on Twitter at @80sMusicBlogger or just me personally @ryanwelton.

5. Let’s Pretend We’re Married. This was the tune that made me a fan. When I bought the 1999 album and heard this track, I heard somebody clearly pushing an envelope. Today, this would be tame. In 1983, this was hyper-taboo.

4. Little Red Corvette. This was the first hit I ever heard on American Top 40. He had one other Top 40 song before this, “I Wanna Be Your Lover,” but it was this tune that introduced him to my world.

3. Controversy. The most underrated of all Prince’s songs and albums.

2. Mountains. I’m not going to get much agreement on this one, but I have always loved this track. Super funky without much chord movement.

1. Raspberry Beret. Prince went through a Beatles phase during his Paisley Park years, and this was his masterpiece. Sure, “When Doves Cry” is the song the world points to, but I’ve always felt like Prince was trolling the Beatles during this period just to show he could write as well as they could.

Of course, none of Prince’s videos are on YouTube. However, he didn’t only write for himself, and two of my favorite songs of the 1980s were tunes he penned. “Manic Monday” by The Bangles and “The Glamorous Life” by Sheila E. are master works, and what’s amazing is that Prince was adept at writing for women as he was for himself.

Enjoy, and have a great weekend.

1980s one-hit wonder Wednesdays: John Hunter

One of my best friends and I bonded over music in the 1980s as friends are apt to do. However, Jonathan and I have always been ridiculously simpatico when it comes to what we consider to be great songs, despite his obsession with Patti Smyth.

Kidding aside, we both loved this tune from a guy named John Hunter, which I’ve always misspelled as Jon Hunter until today. He was with a Chicago-area band called The Hounds, and he had a minor, minor, minor solo hit in 1985 with a song called “Tragedy.”

This was a minor hit, but a major song. One of my all-time favorites of the decade.

And it’s a great video, too. Check it out.

It peaked at No. 39 on February 16 and 23 of 1985, and it was gone just like that. I was able to find this Chicago Tribune article about Hunter’s success with the song and his aspirations to become a great writer. In the article, he talks about getting to move out of his parents’ home and buying a nice car.


He never sniffed commercial success again, but God bless America, he contributed a wonderful song to the 1980s catalog. Best I can tell from Google, he’s been a music instructor somewhere in Chicago — and best I can tell from YouTube, the band The Hounds has gotten together at least once over the past few years.

1980s one-hit wonder Wednesdays: The Church

Ever since I started this blog dedicated to the greatness of 1980s music a couple of weeks ago, I have intended to delineate some editorial plans for certain days of the week. For example, I think Wednesdays are perfect for one-hit wonders of the decade. Get it? Wonder Wednesdays? It’s alliterative.

And when I refer to one-hit wonders, I’m referring specifically to one-hit wonders of the American pop music charts as tabulated by Billboard magazine. I don’t think I’ll explain that with each blog, but for this era, in America, that was the standard: Billboard.

It also should be said that for every one-hit wonder, from any era, there is likely years and years of struggle, sweat and good old-fashioned hard work that goes into cultivating an audience and creating art. My first one-hit wonder of the 1980s achieved its biggest success in 1988, but they got started in 1980. It’s The Church, an indie band out of Sydney, Australia.

The four-man band got its one and only American chart hit in 1988 with “Under the Milky Way,” a wonderfully haunting song that remains a favorite of mine from the era.

That track peaked at No. 24 in 1988, and the band was never heard from again on the American pop charts. However, they did get some indie play with a tune called “Metropolis” at the end of the 80s into the early 90s. This song was The Church’s biggest chart hit in Australia, peaking at No. 19. Alas, it didn’t even crack the Hot 100 in the States.

In all, The Church had four Top 40 hits Down Under but only one in America. It doesn’t diminish their greatness by any means, especially when you consider that they gave us “Under the Milky Way.” Beautiful song and quintessentially 80s.

About the image: By Source, Fair use, Link